June 16, 2020

Compassion Takes on Physical Form at a Memorial Sloan Kettering Cancer Center in New York

In a waiting area at New York’s Memorial Sloan Kettering David H. Koch Center for Cancer Care by Perkins Eastman Architects, ICrave, and Ennead Architects, warm oak millwork, pleasing rounded forms, and abundant natural light from floor-to-ceiling win­dows help to create a calming, restorative environment. Caption Photography by Chris Cooper. 

Now, perhaps more than ever, we are turning to hospitals to heal. In the case of COVID-19, that is being done by the medicine practiced by the brave healthcare professionals inside their walls. But, beyond the pandemic, could the rooms and the buildings we create to contain the therapeutic process do more by fundamentally redefining what a hospital experience is? Memorial Sloan Kettering Cancer Center, the oldest and largest private treatment and research center in the world of its kind, founded in New York in 1884, thought it could.

In de­veloping a major ground-up outpatient facility, its executive team committed MSK to pro­viding its population with next-generation levels of cure, care, and empowerment. Three collaborating primary firms, Perkins Eastman Architects, ICrave, and Ennead Architects, were tapped to undertake the task of rethinking everything: from façades, furnishings, and fixtures to the very concept of waiting and the capacity of choice to reinforce the will to heal. The result is the David H. Koch Center for Cancer Care, a 750,000-square-foot, state-of-the-art building, which opened in January as the institution’s—and the city’s—largest freestanding cancer care facility. Perkins Eastman was the medical planner and interior designer of the clinical spaces and worked in tandem with Ennead on the building’s architecture and skin. The experiential design, public spaces, and patient rooms were the purview of ICrave, with an emphasis on aesthetically and conceptually reimagining what an outpatient treatment environment can and should be.

Marble flows through the main lobby where stainless steel surrounds the structural column and paneling is oak. Photography by Chris Cooper. 

The completed project for the 1 1/2-acre site will ultimately be occupied by two buildings, the 25-story Koch center and the Science and Health Professions Building for the City University of New York/Hunter College, currently on hold. They will be tied together visually, but the CUNY building, which will house its nursing school, stands to be significantly smaller. “The two buildings are designed to go together, have the same skin, and assist each other, but they have very different ownership,” says Mary-Jean Eastman, founding partner with Bradford Perkins of Perkins Eastman, which has been working on projects for MSK since the 1990s. “We designed the Koch center to bring together patients healing from similar diseases in a hospitality-driven environment that fosters communication between and reduces stress for patients, families, and staff. This where you go in your life to get better.”

Curves in a corridor’s solid-surfacing cove guide wayfinding while flooring is PVC-free thermoplastic polymer. Photography by David Mitchell. 

Situated along the East River, many of the center’s rooms afford serene water views. LEED Gold certified, the structure contains 231 exam, 110 infusion, and 37 procedure rooms, and 16 private inpatient rooms for short stays, as well as expansive public areas. It’s named for the controversial oil and chemicals billionaire who died in 2019 but was first diagnosed with prostate cancer in 1992. He donated much of his fortune to support conservative political causes, but also contributed to medical and cultural institutions in New York, including $150 million to the $1.5 billion MSK building that now bears his name.

Waiting areas are classified as activation, recreation, or restoration, with most having ceiling insets of custom planks and carpet tile in recyclable nylon. Photography by Chris Cooper. 

Its exterior massing corresponds with three primary functions. The lower five floors include nearly all the imaging facilities. Above that is an amenity floor, including a full-service café for patients and staff, serving the entire center. The middle, largest segment of the building holds the core treatment spaces, while the top section is given to offices and mechanicals. “Our intent,” Ennead design partner Todd Schliemann recalls, “was to break it down into smaller-scale sections, six- to 10-story elements defined by setbacks, overhangs, and terraces so that it wouldn’t look bulky.” The building skin follows one of the central tenets of the overall project: avoiding an institutional appearance. Terra-cotta fins and tiles in three depths and textures soften the edges, provide subtle coloration, and control sunlight. “We chose a natural material that would age well,” Schliemann says of he and management partner Don Weinreich.

The segmentation of the 25-story building and its façade of terra-cotta fins and tiles soften the structure’s mass. Photography by Andrew Rugge. 

“Our goal was to change the mindset of what you’re doing at the hospital,” begins Lionel Ohayon, founder of ICrave, also a repeat client for MSK. “A pivotal moment in my career was when MSK called on us for the Josie Robertson Surgery Center interiors, which we completed in 2016. I remember thinking to myself, What is that MSK sees in us?” Indeed, the firm is more known for traditional hospitality projects such as nightclubs, restaurants, and food halls, including the city’s popular Mercado Little Spain. But ICrave has also completed several airport projects, where a focus has been managing passenger anxiety. MSK connected the dots. “Hospitals and hospitality really shouldn’t be so far away from each other,” Ohayon continues. With this project, he says, “We asked ourselves, Can we design a facility that’s an actual participant in your cure?”

Reception on a restoration floor, which provides patients with areas for meditation, sketching, or a quiet moment, features an LED-lined ceiling and custom Baltic birch-plywood privacy pods. Photography by Chris Cooper. 

Adding to the stress and fear of having cancer are boredom and soulless spaces. “A patient may have three treatments a week here, for five hours at a time, for a year or two,” Ohayon says. So, he and team leader David Taglione started to rethink every detail, from lighting and ceiling planes to furniture groupings and color palettes, and then conceived of a vertical city made up of neighborhoods, each offering multiple experiential possibilities. Every neigh­bor­hood consists of three floors defined by functions meant to address the needs of patients, their families, and staff; the functions, as defined by ICrave, are activation, recreation, and restoration, and they’re manifested as well-appointed lounges. An activation waiting area, for example, is where patients can attend a lecture or take a Photoshop class, seated in tomato-red stools by Neri & Hu or gray high-back sofas by Patricia Urquiola. Recreation areas are lively too, offering social activities like arts and crafts. Restoration is more Zen, sublimely peaceful settings encouraging meditation, reading, or simply warming in the sunlight streaming in from floor-to-ceiling windows. The point is to try to turn long stretches of time into part of the therapeutic process, and the environments help relieve stress by offering a range of choices to the people they serve.

Patient rooms have built-in workstations and Eoos chairs. Photography by Chris Cooper. 

“For us, the experience of place is central to what our work is all about,” Ohayon states, “and we’ve always been focused on the emotive response that people have to our spaces, it’s the why of our practice.” In other words, his work and the Koch center are about self-discovery and transformation.

For nurse stations, lighting, including the pendant fixtures by Front Design, runs on an automated circadian system. Photography by Chris Cooper. 
PearsonLloyd chairs join Allied Maker fixtures in a reception area. Photography by Chris Cooper. 
Vibrant and open waiting areas on activation floors are configured to encourage connection and patient participation in workshops and social activities, with stools by Neri & Hu and pendants by Ludovica+Roberto Palombo. Photography by Chris Cooper. 
Hospitality-inspired, patient rooms are furnished with oak millwork and decorative resin wall covering, both custom, and sleeper sofas for visiting family. Photography by Chris Cooper. 
Waiting areas on recreation floors have spaces for activities like arts and crafts as well as more private reading and writing nooks; Susanne Grønlund designed the swivel chairs. Photography by Chris Cooper. 
Patient bathrooms are spalike, with flooring and walls in marble and porcelain and ceramic tile. Photography by Chris Cooper. 
Beneath a coffered ceiling in glass fiber reinforced gypsum, the café is full-service, providing restaurant-quality food for patients and caregivers and chairs by Noé Duchaufour-Lawrance, plus grab-and-go late-night options for staff. Photography by Chris Cooper. 

Project Team: Joseph Fleischer; Melissa Sarko; Alex O’briant; Kathleen Kulpa; Hsin-Yi Wu; Zach Olczak; Yong Roh; Margaret Tyrpa; Duho Choi; Alfonso Gorini; Kyo-Young Jin; Stephen Kim; John Majewski; James Macho; Charles Brainerd: Ennead Architects. Renée Joosten; Nicole Ravasini; Kim Lanza; Eric Swiy; Bingjie Duan; Josephine Lee; Freddy Correa; Yuwei Wang: Icrave. Jeffrey Brand; Federico Del Priore; James Butterfield; Dario Brito; Joanne Violanti; Evan Schwartz; Pamela Basch; Kathleen Byrne; Kaitlin Gerson; Jennifer Gill; Leonid Gitlin; Diane Goldsmith; Dean Jacobson; Avneet Kaur; Scott Osicka; Lala Rakhamim; John Rodenbeck; Jennifer Romeo; Parker Seybold; Salvatore Tomasiello; Lingshui Wang; Maureen Carley-Vallejo; Enlin Chang; Christina Park; Chelsea Dimpflmaier: Perkins Eastman Architects. Horton-Lees Brogden Lighting Design: Lighting Consultant. Thornton Tomasetti: Structural Engineer. Philip Habib & Associates: Civil Engineer. Jaros Baum & Bolles: Mep. Eastern Millwork: Woodwork. Turner Construction Company: Construction Manager.

Product Sources: Kettal: Custom Pavilion System (Activation Waiting Area). Stua: Armchairs. Maharam: Armchair Fabric. Vitra: Lounge Chair. Kimball: Ottomans. Haworth: High-Back Sofas. Tia Marble: Flooring (Lobby). LZF: Custom Screens. Designtex: Lounge Chair Fabric. Fritz Hansen: Lounge Chairs (Reception, Restoration). West Elm Contract: Lounge Chairs (Activation Waiting Area). HBF: Sofas (Waiting Areas). Foscarini: Pendant Fixtures (Waiting Areas), Lamps (Waiting Areas, Restoration). Softline: Swivel Chairs (Waiting Areas). Coalesse: Side Tables (Inpatient Reception, Waiting Areas), Coffee Tables (Waiting Areas), Side Chairs (Patient Rooms), Chairs (Inpatient Reception). Seed Design: Sconce (Patient Room). Carnegie Fabrics: Wall Covering (Patient Rooms). Louis Poulsen: Lighting Fix­Tures. Zero Interior: Pendant Fixtures (Nurse Station). Allied Maker: Pendant Fixtures, Lamp (Inpatient Reception). 3Form: Custom Wall Panels. Naughtone: Table. KI: Sofa Bed (Patient Room). IOA: Recliner. Cambria: Counter Material (Bathroom). Porcelanosa: Wall Tile, Floor Tile. Menu: Hamper. Dupont: Bench Material. Formglas: Custom Ceiling (Café). Bernhardt Design: Chairs. Table Topics: Table. Munrod Custom: Custom Banquettes. Santamargherita: Counter Material. Mutina: Counter Die Material. Port Morris Tile & Marble Corp.: Flooring. Throughout: Armstrong: Slat Ceiling System. Shaw Contract: Carpet Tile. Upofloor: Polymer Flooring. Wolf-Gordon: Wall Covering. Benjamin Moore & Co.: Paint.

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