{"id":106383,"date":"2018-11-02T19:31:04","date_gmt":"2018-11-02T19:31:04","guid":{"rendered":"https:\/\/interiordesign.net\/designwire\/10-must-sees-at-dutch-design-week-2018\/"},"modified":"2022-11-14T13:00:15","modified_gmt":"2022-11-14T18:00:15","slug":"10-must-sees-at-dutch-design-week-2018","status":"publish","type":"id_news","link":"https:\/\/interiordesign.net\/designwire\/10-must-sees-at-dutch-design-week-2018\/","title":{"rendered":"10 Must-Sees at Dutch Design Week 2018"},"content":{"rendered":"<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-The-Production-of-Fatigue-1a.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\"><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-The-Production-of-Fatigue-1a.jpg\" alt=\"\" caption=\"true\"><\/noscript><figcaption>Photography by Nicole Marnati.<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.ddw.nl\/\" target=\"_blank\" rel=\"noopener\">Dutch Design Week<\/a> is the go-to event for speculative design ideas, experimental projects, and new materials and technologies. The 17<sup>th<\/sup> edition\u2014entitled &#8220;If not us, then who?&#8221; and spread across 120 locations\u2014was no exception. Its finger&nbsp;focused firmly on the pulse of work&nbsp;with&nbsp;potential to improve lives, and projects that were open-minded, futuristic, and often had environmental and social ramifications.<\/p>\n<p>This year we spotted projects that used minerals from urine as a ceramics glaze, a material called Kaumera, which is extracted from sludge granules created by water purification processes (and used to create a glue and a fabric dye), and the world\u2019s first 3D-printed bridge. The latter was designed by&nbsp;<a href=\"articles\/14661-joris-laarman-lab-digitally-fabricates-exoskeletal-furniture\/\" target=\"_blank\" rel=\"noopener\">Joris Laarman<\/a> and created by a Dutch startup called&nbsp;<a href=\"https:\/\/mx3d.com\/projects\/bridge\/\" target=\"_blank\" rel=\"noopener\">MX3D<\/a> headed by Tim Geurtjens and displayed in the city\u2019s Ketelhuisplein. It is soon to be permanently relocated to the Oudezijds Achterburgwal canal in Amsterdam\u2019s red light district. And, of course, there was the ever-inspiring graduation show of the world-famous Design Academy Eindhoven.&nbsp;Its new location, the city\u2019s former Campina milk factory, offered a vast and theatrical setting.<\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-The-Production-of-Fatigue-1b.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\"><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-The-Production-of-Fatigue-1b.jpg\" alt=\"\" caption=\"true\"><\/noscript><figcaption>Photography by L\u00e9a Mazy.<\/figcaption><\/figure>\n<p><strong>1.<\/strong> <a href=\"https:\/\/www.leamazy.com\/\" target=\"_blank\" rel=\"noopener\">L<\/a><a href=\"https:\/\/www.leamazy.com\/\" target=\"_blank\" rel=\"noopener\">\u00e9a<\/a><a href=\"https:\/\/www.leamazy.com\/\" target=\"_blank\" rel=\"noopener\"> Mazy <\/a>showed unique tiles as part of&nbsp;the Design Academy Eindhoven graduation show. Called &#8220;The Production of Fatigue,&#8221; her project focused on the patterns created when printer cartridge ink runs low. It questions society\u2019s obsession with productivity and effectiveness, as well as the unsustainable idea of perfection in mass production and what the aesthetic qualities and nuances of fatigue in human and machine performance might be. In collaboration with Italian porcelain manufacturer <a href=\"http:\/\/www.florim.com\/\" target=\"_blank\" rel=\"noopener\">Florim Ceramiche<\/a>, Mazy is now working on developing this printing method for the industry.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-BB-Johan-Moorman-Fragments-2.jpg\" alt=\"\" caption=\"false\" width=\"770\" height=\"513\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" style=\"--smush-placeholder-width: 770px; --smush-placeholder-aspect-ratio: 770\/513;\"><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-BB-Johan-Moorman-Fragments-2.jpg\" alt=\"\" caption=\"false\" width=\"770\" height=\"513\"><\/noscript><\/p>\n<p><strong>2.<\/strong>&nbsp;Leading Dutch decorative materials specialist&nbsp;<a href=\"https:\/\/www.baars-bloemhoff.nl\/\" target=\"_blank\" rel=\"noopener\">Baars &amp; Bloemhoff<\/a> created one of&nbsp;Dutch Design Week&#8217;s most memorable exhibitions&nbsp;via&nbsp;&#8220;Time is Now,&#8221; which addresses&nbsp;such themes as&nbsp;circularity and sustainability.&nbsp;The project&nbsp;combines&nbsp;Baars &amp; Bloemhoff castoffs with elements from previous exhibitions to create new pieces.&nbsp;Its accompanying show &#8220;Transitions IV: The Not So Flat Exhibition&#8221; showed&nbsp;a new flat-pack furniture concept of accessible and experimental pieces by five Dutch designers. Pictured is Johan Moorman\u2019s geometric and abstract configurable kitchen (made out of&nbsp;<a href=\"http:\/\/www.fenixforinteriors.com\/\" target=\"_blank\" rel=\"noopener\">Arpa Fenix<\/a> high-pressure laminates and&nbsp;<a href=\"http:\/\/www.lghimacsusa.com\/\" target=\"_blank\" rel=\"noopener\">HI-MACS<\/a> solid surface worksheets), inspired by Italian inlaid marble floors and the Bauhaus movement&#8217;s functional systems.<\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Os-Oos-3.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\"><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Os-Oos-3.jpg\" alt=\"\" caption=\"true\"><\/noscript><figcaption>Photography by Nick Bookelaar.<\/figcaption><\/figure>\n<p><strong>3.&nbsp;<\/strong><a href=\"https:\/\/www.osandoos.com\/\" target=\"_blank\" rel=\"noopener\">Os<\/a><a href=\"https:\/\/www.osandoos.com\/\" target=\"_blank\" rel=\"noopener\"> <\/a><a href=\"https:\/\/www.osandoos.com\/\" target=\"_blank\" rel=\"noopener\">&amp;<\/a><a href=\"https:\/\/www.osandoos.com\/\" target=\"_blank\" rel=\"noopener\"> Oos<\/a>&nbsp;presented an&nbsp;exhibition called &#8220;Body of Work,&#8221;&nbsp;which included&nbsp;limited-edition collectible design pieces.&nbsp;Other works have become production pieces or been used in such projects as the W&nbsp;Hotel Amsterdam or the Deloitte HQ in Denmark. On show was, among others,&nbsp;the studio&#8217;s&nbsp;Repeated Mirrors series, Tunnel collection, Mono-Lights, and Trilithon marble and onyx furniture range.<\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-The-Young-Collectors-2018-Studio-ThiervanDaalen-4.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\"><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-The-Young-Collectors-2018-Studio-ThiervanDaalen-4.jpg\" alt=\"\" caption=\"true\"><\/noscript><figcaption>Photography by Studio Thier&amp;vanDaalen.<\/figcaption><\/figure>\n<p><strong>4.<\/strong>&nbsp;Last year,&nbsp;<a href=\"https:\/\/thiervandaalen.com\/\" target=\"_blank\" rel=\"noopener\">Studio Thier&amp;vanDaalen<\/a> showed a curated selection of pieces in the home of friends. This year, they opened up their recently renovated 1960s-era house in Eindhoven, converting it into a living gallery of art and design&nbsp;produced by them and colleagues they admire. The studio showed a&nbsp;round blown glass light in a square brass frame,&nbsp;a coffee table made from leftover kitchen and bathroom surface materials, and a shelf&nbsp;made out of&nbsp;lumps of industrial polyethylene waste from a tube-making factory.&nbsp;When sliced open, the latter&nbsp;reveals&nbsp;a marbled pattern. The copper light is by Vantot.<\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Louise-Permiin-5.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\"><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Louise-Permiin-5.jpg\" alt=\"\" caption=\"true\"><\/noscript><figcaption>Photography by Cleo Goossens.<\/figcaption><\/figure>\n<p><strong>5.&nbsp;<\/strong> <a href=\"https:\/\/www.louisepermiin.com\/\" target=\"_blank\" rel=\"noopener\">Louise Permiin<\/a>\u2019s project for Design Academy Eindhoven wowed for its theatrical presentation. It also demonstrated how&nbsp;urine&nbsp;can be used to create a series of dyes\u2014because of its ammonia content,&nbsp;it&#8217;s both a natural cleaning agent and a fixative. She took things a step further and used the textiles to reveal information about the environment and health of the person\u2019s urine. When she&nbsp;detected&nbsp;Bisphenol A\u2014a substance found in plastics and cans\u2014she marked the fabric with a blue square.<\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Klokgebouw-6.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\"><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Klokgebouw-6.jpg\" alt=\"\" caption=\"true\"><\/noscript><figcaption>Photography by Cleo Goossens.<\/figcaption><\/figure>\n<p><strong>6.<\/strong>&nbsp;It may&nbsp;be difficult to believe, but these beautiful cups and vessels by&nbsp;<a href=\"http:\/\/www.ericklarenbeek.com\/\" target=\"_blank\" rel=\"noopener\">Studio Klarenbeek &amp; Dros<\/a> in collaboration with&nbsp;<a href=\"https:\/\/atelier-luma.org\/en\/\" target=\"_blank\" rel=\"noopener\">Atelier Luma<\/a> were made out of algae-based biopolymers. If grown locally and in closed systems,&nbsp;they could provide a sustainable alternative to oil in the production of plastic, or even a replacement for bioplastics made out of genetically engineered corn, say the designers. What\u2019s more, they absorb C02 during&nbsp;production.<\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Simone-Doesburg-7.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\"><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Simone-Doesburg-7.jpg\" alt=\"\" caption=\"true\"><\/noscript><figcaption>Photography by Huis Twaalf.<\/figcaption><\/figure>\n<p><strong>7.&nbsp;<\/strong> <a href=\"https:\/\/graceofglaze.com\/\" target=\"_blank\" rel=\"noopener\">Simone Doesburg<\/a>\u2019s Grace of Glaze project was born out of the somewhat odd fact that most porcelain and ceramic objects are either made out of colored clay or glazed in different hues, but hardly ever both. Doesburg uses different tones of clay and combines them with colored glazes to create countless different and subtle gradients. The possibilities are endless and inspiring.<\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Nane-Sophie-Bergmann-8.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\"><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Nane-Sophie-Bergmann-8.jpg\" alt=\"\" caption=\"true\"><\/noscript><figcaption>Photography by Ronald Smits.<\/figcaption><\/figure>\n<p><strong>8.&nbsp;<\/strong> <a href=\"http:\/\/nanesophiebergmann.com\/\" target=\"_blank\" rel=\"noopener\">Nane-Sophie Bergmann<\/a>\u2019s original take on garden furniture, called &#8220;Split,&#8221; is made out of a manually split, locally sourced, and minimally treated 60-year-old Robinia tree trunk. Split or cleft wood is more weather-resistant and stronger than sawn timber, explains Bergmann, who sourced the pieces from Eindhoven\u2019s municipal timber yard. By storing the benches and table on their sides when not in use, water cannot pool on the pieces and make them rot. The bits in contact with soil are scorched for extra protection. Not only was the project environmental in its use of timber that can then be returned to the ecosystem to decay naturally, but its rugged beauty was a powerful statement against standardized products.<\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-HOWWOW_VEEM-9.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\"><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-HOWWOW_VEEM-9.jpg\" alt=\"\" caption=\"true\"><\/noscript><figcaption>Photography by Max Kneefel.<\/figcaption><\/figure>\n<p><strong>9.<\/strong> &#8220;HOW&amp; WOW&#8221; by the&nbsp;<a href=\"https:\/\/craftscouncil.nl\/en\/\" target=\"_blank\" rel=\"noopener\">Dutch Crafts Council<\/a>, who&nbsp;showed in the former Veem warehouse building in Eindhoven,&nbsp;elevated&nbsp;such humble materials as plastic into crafted objects. <a href=\"http:\/\/www.borisdebeijer.com\/\" target=\"_blank\" rel=\"noopener\">Boris de Beijer<\/a>\u2019s polyethylene goblets and glasses emanated a stately glow, while&nbsp;<a href=\"https:\/\/www.daanveerman.nl\/\" target=\"_blank\" rel=\"noopener\">Daan Veerman<\/a> showcased 3D printing explorations to create contemporary craft pieces, pictured.<\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Grams-of-Happiness-10.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\"><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-Dutch-Design-Week-2018-Grams-of-Happiness-10.jpg\" alt=\"\" caption=\"true\"><\/noscript><figcaption>Photography by Rive Roshan.<\/figcaption><\/figure>\n<p><strong>10.<\/strong>&nbsp;Food experiences and design&nbsp;stole the show.&nbsp;One of the most memorable was &#8220;28 Grams of Happiness,&#8221; a sensorial multi-course lunch or dinner experience created by food design studio&nbsp;<a href=\"http:\/\/www.the-eatelier.com\/\" target=\"_blank\" rel=\"noopener\">The Eatelier<\/a> and Eindhoven restaurant Pippens. It delivered in a space filled with uplifting, colorful, and healthy design objects selected and curated by&nbsp;<a href=\"http:\/\/www.kontou.nl\/6468890\" target=\"_blank\" rel=\"noopener\">Justine Kontou<\/a>. Objects on display included <a href=\"http:\/\/ricktegelaar.nl\/\" target=\"_blank\" rel=\"noopener\">Rick Tegelaar<\/a>\u2019s Meshmatics wire, mesh and waste wood chandelier for&nbsp;<a href=\"https:\/\/www.moooi.com\/\" target=\"_blank\" rel=\"noopener\">Moooi<\/a>, tactile wall coverings by&nbsp;<a href=\"https:\/\/www.alissanienke.nl\/\" target=\"_blank\" rel=\"noopener\">Alissa+Nienke<\/a>, a modular kinetic tapestry by&nbsp;<a href=\"https:\/\/www.riveroshan.com\/\" target=\"_blank\" rel=\"noopener\">Rive Roshan<\/a>, and an interactive installation by Tom Kortbeek and&nbsp;<a href=\"http:\/\/roosmeerman.com\/\" target=\"_blank\" rel=\"noopener\">Roos Meerman<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span>Dutch Design Week is the go-to event for speculative design ideas, experimental projects and new materials and technologies. The 17<\/span><sup>th<\/sup><span><span>&nbsp;<\/span>edition, entitled &lsquo;If not us, then who?&rsquo; and spread across 120 locations, was no exception, its finger located firmly on the pulse of work that had the potential to change or improve lives, projects that were open-minded, futuristic and often had environmental and social ramifications too.<\/span><\/p>\n","protected":false},"author":3525,"featured_media":84201,"menu_order":0,"template":"","meta":{"_acf_changed":false,"featured_image_focal_point":[],"legacy_django_id":15634},"tags":[],"id_tax_domain":[],"id_tax_product":[],"id_tax_program":[],"id_issue":[],"id_cat_news":[],"internal_flag":[4220],"class_list":["post-106383","id_news","type-id_news","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>10 Must-Sees at Dutch Design Week 2018 - Interior Design<\/title>\n<meta name=\"description\" content=\"Dutch Design Week is the go-to event for speculative design ideas, experimental projects and new materials and technologies. The 17th&nbsp;edition, entitled &lsquo;If not us, then who?&rsquo; and spread across 120 locations, was no exception, its finger located firmly on the pulse of work that had the potential to change or improve lives, projects that were open-minded, futuristic and often had environmental and social ramifications too.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/interiordesign.net\/designwire\/10-must-sees-at-dutch-design-week-2018\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"10 Must-Sees at Dutch Design Week 2018 - Interior Design\" \/>\n<meta property=\"og:description\" content=\"Dutch Design Week is the go-to event for speculative design ideas, experimental projects and new materials and technologies. The 17th&nbsp;edition, entitled &lsquo;If not us, then who?&rsquo; and spread across 120 locations, was no exception, its finger located firmly on the pulse of work that had the potential to change or improve lives, projects that were open-minded, futuristic and often had environmental and social ramifications too.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/interiordesign.net\/designwire\/10-must-sees-at-dutch-design-week-2018\/\" \/>\n<meta property=\"og:site_name\" content=\"Interior Design\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/InteriorDesignMagazine\/\" \/>\n<meta property=\"article:modified_time\" content=\"2022-11-14T18:00:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/interiordesign.net\/wp-content\/uploads\/2021\/06\/dutch-design-week-2018-idphoto-1024x1024.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@InteriorDesign\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/interiordesign.net\/designwire\/10-must-sees-at-dutch-design-week-2018\/\",\"url\":\"https:\/\/interiordesign.net\/designwire\/10-must-sees-at-dutch-design-week-2018\/\",\"name\":\"10 Must-Sees at Dutch Design Week 2018 - Interior Design\",\"isPartOf\":{\"@id\":\"https:\/\/interiordesign.net\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/interiordesign.net\/designwire\/10-must-sees-at-dutch-design-week-2018\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/interiordesign.net\/designwire\/10-must-sees-at-dutch-design-week-2018\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/interiordesign.net\/wp-content\/uploads\/2021\/06\/dutch-design-week-2018-idphoto.jpg\",\"datePublished\":\"2018-11-02T19:31:04+00:00\",\"dateModified\":\"2022-11-14T18:00:15+00:00\",\"description\":\"Dutch Design Week is the go-to event for speculative design ideas, experimental projects and new materials and technologies. 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