{"id":133061,"date":"2021-06-09T09:00:00","date_gmt":"2021-06-09T09:00:00","guid":{"rendered":"https:\/\/interiordesign.net\/designwire\/15-highlights-from-the-2021-la-biennale-di-venezia\/"},"modified":"2022-11-23T12:49:20","modified_gmt":"2022-11-23T17:49:20","slug":"15-highlights-from-the-2021-la-biennale-di-venezia","status":"publish","type":"id_news","link":"https:\/\/interiordesign.net\/designwire\/15-highlights-from-the-2021-la-biennale-di-venezia\/","title":{"rendered":"15 Highlights from the 2021 La Biennale di Venezia"},"content":{"rendered":"<p>&ldquo;How Will We Live Together?&rdquo; So asks this year&#8217;s&nbsp;<a href=\"https:\/\/www.labiennale.org\/en\" target=\"_blank\" rel=\"noopener\">La Biennale di Venezia<\/a>. The 17th edition of the architecture exhibition, postponed in 2020, is now underway in Venice, and post-pandemic, this question&mdash;startlingly prescient&mdash;takes on new meaning.<\/p>\n<p>Through November 22, 112 participants from 46 countries explore the topic with highly diverse results. Sure, it&#8217;s living with fellow humanity, but what about co-existing with animals, birds, and the earth? From edible algae you can grow in your own home to a device encouraging short, spontaneous napping, to a dual-purpose sculpture that is also a bird house, here are 15 of our favorite finds.<\/p>\n<\/p>\n<p><strong>1. &ldquo;Bit.Bio.Bot: A Collective Experiment in Biotechnological Architecture&rdquo; <\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-AVZ-ecoLogicStudio-7805.jpg\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-AVZ-ecoLogicStudio-7805.jpg\" caption=\"true\" \/><\/noscript><figcaption>Photography by Andrea Avezz&ugrave;\/courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>A healthy, sustainably sourced snack you can grow in your own home is one way to start off your journey through the Biennale. At &ldquo;Bit.Bio.Bot: A Collective Experiment in Biotechnological Architecture,&rdquo; an installation by <a href=\"https:\/\/www.ecologicstudio.com\/v2\/index.php\" target=\"_blank\" rel=\"noopener\">EcoLogicStudio<\/a> which recalls a mad laboratory, freshly harvested algae is on offer. Shown here, housed in a lab-grade borosilicate glass and 3D-printed PLA bioplastic, is spirulina platensis within a jelly-like medium and floating in liquid.&nbsp;<\/p>\n<\/p>\n<p><strong>2. &ldquo;Variations on a Bird Cage&rdquo; <\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-Dovecote_Tower_Photo_by_Riccardo_de_Vecchi_03.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-Dovecote_Tower_Photo_by_Riccardo_de_Vecchi_03.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>A reflective bird house is a functional sculpture that stretches several feet high in &ldquo;Variations on a Bird Cage,&rdquo; by <a href=\"http:\/\/www.studio-ossidiana.com\/\" target=\"_blank\" rel=\"noopener\">Studio Ossidiana<\/a>. Exploring the coexistence of humans and birds, the exhibition presents several transformative ways the two species can live together.&nbsp;<\/p>\n<\/p>\n<p><strong>3. Pavilion of Germany <\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-FG_Germania_8692.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-FG_Germania_8692.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by Francesco Galli\/courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>It&rsquo;s been a digital year, and Germany aims to keep it that way&mdash;at least at their Venice pavilion. This year&rsquo;s German Pavilion consists of only empty, white-painted walls stamped with a few barcodes. What will the world be like in 17 years? Leading to <a href=\"https:\/\/2038.xyz\/\" target=\"_blank\" rel=\"noopener\">digital content<\/a> including a series of short films, &ldquo;2038: The New Serenity,&rdquo; initiated by Arno Brandlhuber, Olaf Grawert, Nikolaus Hirsch, and Christopher Roth, examines a not-too-distant future.&nbsp;<\/p>\n<\/p>\n<p><strong>4. &ldquo;Three British Mosques.&rdquo;<\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-applied-arts-AVZ-VA-6549.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-applied-arts-AVZ-VA-6549.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by Andrea Avezz&ugrave;\/courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>London&rsquo;s architecture has, at times, crossed religious and social divides and one particular building has served as church, synagogue, and mosque. This example&mdash;as well as a former pub&mdash;are among three adapted mosque spaces in the capital city that are the focus of &ldquo;Three British Mosques.&rdquo; Carpeted like a mosque, the installation by author and architect Shahed Saleem is presented by La Biennale di Venezia and <a href=\"https:\/\/www.vam.ac.uk\/\" target=\"_blank\" rel=\"noopener\">The Victoria &amp; Albert Museum<\/a>.&nbsp;<\/p>\n<\/p>\n<p><strong>5. &ldquo;Catalog for the Post-Human&rdquo; by Parsons &amp; Charlesworth <\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-Parsons__Charlesworth-SleepSnacker-Headwear2.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-Parsons__Charlesworth-SleepSnacker-Headwear2.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography courtesy of Parsons &amp; Charlesworth.<\/figcaption><\/figure>\n<p>A fictional shopping experience peddles products of the near future in the mixed-media exhibition &ldquo;Catalog for the Post-Human&rdquo; by <a href=\"https:\/\/www.parsonscharlesworth.com\/\" target=\"_blank\" rel=\"noopener\">Parsons &amp; Charlesworth<\/a>. One such ware, the Sleep Snacker, encourages short, spontaneous napping.&nbsp;<\/p>\n<\/p>\n<p><strong>6. &ldquo;Ego to Eco&rdquo; by Effekt Architects <\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-R_Hjortshoj_-_Biennale_EFFEKT_PRESS_WEB-36.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-R_Hjortshoj_-_Biennale_EFFEKT_PRESS_WEB-36.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography &copy; Effekt.<\/figcaption><\/figure>\n<p>A tiny forest of 1,200 living tree seedlings flourishes in the installation &ldquo;Ego to Eco&rdquo; by <a href=\"https:\/\/www.effekt.dk\/\" target=\"_blank\" rel=\"noopener\">Effekt Architects<\/a> and curated by Hashim Sarkis. Following six months of growth, the seedlings will be planted in urban areas of Denmark as part of a carbon off-setting program.&nbsp;<\/p>\n<\/p>\n<p><strong>7. &ldquo;Museo Aero Solar For an Aerocene Era&rdquo;&nbsp;<\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-FG_Pad._C._02_Studio_Tomas_Saraceno_1844.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-FG_Pad._C._02_Studio_Tomas_Saraceno_1844.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by Francesco Galli\/courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>Anyone with plastic trash and internet access can reach new heights in a sun-powered air balloon through a project by <a href=\"https:\/\/studiotomassaraceno.org\/\" target=\"_blank\" rel=\"noopener\">Tom&aacute;s Saraceno<\/a>. Presented by his non-profit organization the <a href=\"https:\/\/aerocene.org\" target=\"_blank\" rel=\"noopener\">Aerocene Foundation<\/a>, &ldquo;Museo Aero Solar For an Aerocene Era&rdquo; presents a flying sustainable sculpture made of discarded and then fused together plastic bags. Initiated in 2007, the project includes <a href=\"https:\/\/aerocene.org\/museo-aerosolar-reconquista\" target=\"_blank\" rel=\"noopener\">online instructions<\/a>.&nbsp;<\/p>\n<\/p>\n<p><strong>8. Pavilion of the United States of America<\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-FG_USA_01.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-FG_USA_01.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by Francesco Galli\/courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>In the 19th century United States, wood-framed construction met the demands of a westward population expansion. A built addition to the existing U.S. Pavilion, &ldquo;American Framing,&rdquo;&nbsp;examines this construction system and reflects on its permeable architecture. C<span>o-curated by Paul Preissner and Paul Andersen<\/span>, the project was organized by the University of Illinois Chicago.&nbsp;<span>&nbsp;<\/span><\/p>\n<\/p>\n<p><strong>9. Pavilion of the United Kingdom<\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-uk-pavilion_-_Garden_of_Delights.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-uk-pavilion_-_Garden_of_Delights.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by Cristiano Corte\/&copy; the British Council.<\/figcaption><\/figure>\n<p>The pandemic underlined the importance of accessible outdoor space, yet what about privately owned public space? At the U.K. pavilion, &ldquo;The Garden of Privatised Delights&rdquo; examines this tangled issue with a whimsical garden that is a nod to a 15th century oil painting, <em>The Garden of Earthly Delights<\/em> by Dutch artist Hieronymus Bosch. The pavilion is curated by Manijeh Verghese and Madeleine Kessler and presented by the British Council.&nbsp;<\/p>\n<\/p>\n<p><strong>10. &ldquo;Refuge for Resurgence&rdquo;<\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-AVZ-ARCHITETTURA_2021-7073_Superflux.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-AVZ-ARCHITETTURA_2021-7073_Superflux.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by Andrea Avezz&ugrave;\/courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>Humans, animals, birds, and fungi are all on the guestlist at &ldquo;Refuge for Resurgence,&rdquo; a dinner party by <a href=\"https:\/\/superflux.in\/#temp\" target=\"_blank\" rel=\"noopener\">Superflux<\/a> focusing on a future &ldquo;that is more than human,&rdquo; according to the video trailer. An oak table and tree-stump seating sets the stage in the installation, which also incorporates reclaimed waste such as discarded plastic, circuit board, and salvaged metal.&nbsp;<\/p>\n<\/p>\n<p><strong>11. Pavilion of Nordic Countries<\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-Venezia-Biennale_HelenHard-Architects_Photograph-by-DSL-Studio.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-Venezia-Biennale_HelenHard-Architects_Photograph-by-DSL-Studio.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by DSL-Studio\/courtesy of Helen &amp; Hard.<\/figcaption><\/figure>\n<p>Architecture firm&nbsp;<a href=\"https:\/\/helenhard.no\/\" target=\"_blank\" rel=\"noopener\">Helen and Hard<\/a> built a full-scale selection of a co-housing space drawing from their recent co-living project Vindm&oslash;llebakken in Stavanger. Driven by three zones&mdash;private, semi-private, and common&mdash;the concept draws from a model developed in Nordic countries in the 1970s that combines self-ownership and independent housing units with shared functions and community life.&nbsp;<\/p>\n<\/p>\n<p><strong>12. Pavilion of Spain&nbsp;<\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-FG_Spagna_7982.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-FG_Spagna_7982.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by Francesco Galli\/courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>The idea of being buried in paperwork takes on new meaning with &ldquo;Uncertainty,&rdquo; crafted from thousands of sheets of paper, at the Spanish Pavilion. Actually a &ldquo;cloud&rdquo; of portfolios, the installation underlines the difficult process an architect has in getting work realized.&nbsp;<\/p>\n<\/p>\n<p><strong>13. &ldquo;A.I. Toys Shapes and Ladders&rdquo; <\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-MZO_ANI_LIU_1045.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-MZO_ANI_LIU_1045.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by Marco Zorzanello\/courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>A maternity suit woven from silk organza is featured in &ldquo;A.I. Toys Shapes and Ladders:&thinsp;Battles of Bias and Bureaucracy Maternity&thinsp;Menswear,&rdquo; an exploration of systemic racism and sexism in the workplace by <a href=\"https:\/\/ani-liu.com\" target=\"_blank\" rel=\"noopener\">Ani Liu<\/a>.&nbsp; The installation also includes a video game &ldquo;designed to reflect real life inequalities,&rdquo; according to the artist.&nbsp;<\/p>\n<\/p>\n<p><strong>14. &ldquo;Silk Road Works&rdquo; <\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-MZO_AZRA_AKSAMAIJA_1053_Photo_by_Marco_Zorzanello.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-MZO_AZRA_AKSAMAIJA_1053_Photo_by_Marco_Zorzanello.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by Marco Zorzanello\/courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>Dummies dressed in construction worker uniforms are arranged in symbolic poses in the installation &ldquo;Silk Road Works&rdquo; by artist and architectural historian <a href=\"https:\/\/www.azraaksamija.net\" target=\"_blank\" rel=\"noopener\">Azra Ak&scaron;amija<\/a>. The uniforms are not made of traditional materials: safety vests are silk, overalls are Venetian fabric, and hardhats are Murano glass.&nbsp;<\/p>\n<\/p>\n<p><strong>15. Pavilion of Bahrain <\/strong><\/p>\n<figure class=\"image\"><img decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-AVZ-BAHRAIN-7450.jpg\" alt=\"\" caption=\"true\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/Interior-Design-La-Biennale-di-Venezia-2021-AVZ-BAHRAIN-7450.jpg\" alt=\"\" caption=\"true\" \/><\/noscript><figcaption>Photography by Andrea Avezz&ugrave;\/courtesy of La Biennale di Venezia.<\/figcaption><\/figure>\n<p>How does a city preserve its heritage yet adapt to changing times? The historical art of pearling is the focus of a UNESCO World Heritage Site preserving three oysters beds in Muharraq, Bahrain. It&rsquo;s featured in &ldquo;Pearling, Testimony of an Island Economy,&rdquo; at the Bahrain pavilion, curated by Noura Al-Sayeh and Ghassan Chemali.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span>&ldquo;How Will We Live Together?&rdquo; So asks the 17th edition of the architecture exhibition of the La Biennale di Venezia. The event, postponed in 2020, is now underway in Venice through November 22, and post-pandemic, this question&ndash;startlingly prescient&ndash;takes on new meaning.<\/span><\/p>\n","protected":false},"author":3532,"featured_media":133077,"menu_order":0,"template":"","meta":{"_acf_changed":false,"featured_image_focal_point":[],"legacy_django_id":19185},"tags":[],"id_tax_domain":[],"id_tax_product":[],"id_tax_program":[154],"id_issue":[],"id_cat_news":[],"internal_flag":[4220],"class_list":["post-133061","id_news","type-id_news","status-publish","has-post-thumbnail","hentry","id_tax_program-trade-show-exhibition"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>15 Highlights from the 2021 La Biennale di Venezia - Interior Design<\/title>\n<meta name=\"description\" content=\"&ldquo;How Will We Live Together?&rdquo; So asks the 17th edition of the architecture exhibition of the La Biennale di Venezia. 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