{"id":114033,"date":"2016-06-03T16:50:01","date_gmt":"2016-06-03T16:50:01","guid":{"rendered":"https:\/\/interiordesign.net\/projects\/herman-miller-fashions-a-towering-presence-in-new-york-city-s-flatiron-district\/"},"modified":"2022-11-29T12:18:05","modified_gmt":"2022-11-29T17:18:05","slug":"herman-miller-fashions-a-towering-presence-in-new-york-city-s-flatiron-district","status":"publish","type":"id_project","link":"https:\/\/interiordesign.net\/projects\/herman-miller-fashions-a-towering-presence-in-new-york-city-s-flatiron-district\/","title":{"rendered":"Herman Miller Fashions a Towering Presence in New York City’s Flatiron District"},"content":{"rendered":"

It has to be daunting to design showrooms for Herman Miller<\/a>, the Michigan-based furniture giant often cited as the inventor of the modern office. But Vincent Bandy came with some impressive credentials of his own. For one, he was a veteran of Rem Koolhaas\u2019s Office for Metropolitan Architecture. Furthermore, Vincent Bandy Architect<\/a>\u2019s portfolio already included Vitra<\/a>\u2019s highly regarded showroom in New York.<\/p>\n

> Project Resources<\/a><\/strong><\/p>\n

Bandy\u2019s latest Herman Miller project, also in New York, is in the same 1909 office building where Maharam<\/a>, the fabric manufacturer now owned by Herman Miller, occupies the triplex penthouse. His assignment has consisted, so far, of levels two through five, 30,000 square feet dedicated to showrooms for the parent company and another acquisition, Design Within Reach<\/a>. On the ground level, he\u2019s due to complete Herman Miller\u2019s first permanent retail store in North America this fall. (On five, Geiger International<\/a> occupies a space outfitted by a different firm, BassamFellows<\/a>.)<\/p>\n

Herman Miller executive creative director Ben Watson was previously at Moroso<\/a>, and that\u2019s how he met Bandy, then working on OMA and REX\u2019s Dee and Charles Wyly Theatre in Dallas. The pair\u2019s collaboration on the theater seats launched an on\u00adgoing professional relationship. After Watson moved to Herman Miller, he engaged Bandy to design showrooms in Washington and Dallas.<\/p>\n

Compared to those projects, New York presented greater challenges, among them the building itself\u2014mostly vacant for decades and seriously out of date. The brief was to create a cohesive envelope for all five levels while still providing individual identities for each. Roughly speaking, the showroom on two highlights home design, the one above concentrates on contract clients, and DWR shares the next one up with the company-wide \u201cbrand design\u201d studio, a kind of lab for the in-house creative team. Vertical access had to be easy, since there\u2019s a strong connection between Herman Miller\u2019s residential and commercial aesthetic, a look that honors the enduring influence of mid-century pioneers including Charles and Ray Eames, George Nelson, and Alexander Girard while celebrating contemporary talents.<\/p>\n

Senior interior designer Stephen Floyd was in charge of the furnishings, either manufactured or repped by Herman Miller. \u201cBesides displaying the furniture, lighting, and rugs, our Living Office guidelines dictated a variety of functional stations for the people who actually work here,\u201d Floyd says.<\/p>\n

Bandy continues, \u201cOne of the most important mandates for these showrooms was to sell furniture, not architecture.\u201d The strategy he developed with project architect David Theisz was therefore to keep interior surfaces simple and clean, taking advantage of the massive amounts of sunshine. Cumulatively, everything suggests a blank white canvas waiting to be filled. Power and data cables are hidden beneath the raised floors to reduce visual clutter, and the old cast-iron radiators have been removed.<\/p>\n

\u201cThere was an exceptionally eclectic mix of radiator sizes and types, remnants of past renovations,\u201d Theisz explains. Hiding the HVAC system below the floor was considered, too, but ultimately rows of tubular ducts were installed along two walls. To help with air circulation, the enormous inoperable windows were replaced with casement versions that open.<\/p>\n

Visitors arriving via the elevators or the stairs step onto wide-plank flooring with a chalky finish, the same product Renzo Piano Building Workshop<\/a> used for the Whitney Museum of American Art nearby. The rest of each floor is covered in dove-gray carpet tile, modular to facilitate the occasional reconfiguration of display and office areas. To the side, a row of glassed-in rooms can serve variously as conference venues or offices, even serving stations for social events.<\/p>\n

\u201cWe introduced a dialogue between the perimeter enclosure, the urbanity of the city beyond, and the color and detail of the furniture,\u201d Bandy says, going on to stress the importance of maximum flexibility. \u201cThe spaces have to work for every single purpose we can think of now.\u201d In ways he can\u2019t even imagine yet.<\/p>\n

Project Team<\/strong>: Giancarlo Montano: Vincent Bandy Architect. Kendall\/Heaton Associates: Architect of Record. Dot Dash<\/a>: Lighting Consultant. Walter P Moore<\/a>: Structural Engineer. Alvine Engineering<\/a>: MEP. Tri-Star Construction Corp<\/a>: General Contractor.<\/p>\n

> Project Resources<\/a><\/strong><\/p>\n

> See More from the May 2016 issue of Interior Design<\/em><\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

It has to be daunting to design showrooms for <\/span>Herman Miller<\/a>, the Michigan-based furniture giant often cited as the inventor of the modern office. But Vincent Bandy came with some impressive credentials of his own. <\/span><\/p>\n","protected":false},"author":3535,"featured_media":148660,"menu_order":0,"template":"","meta":{"_acf_changed":false,"featured_image_focal_point":[],"legacy_django_id":11932},"tags":[],"id_tax_domain":[14],"id_tax_product":[],"id_tax_program":[],"id_issue":[],"internal_flag":[4220],"class_list":["post-114033","id_project","type-id_project","status-publish","has-post-thumbnail","hentry","id_tax_domain-workplace"],"acf":[],"yoast_head":"\nHerman Miller Fashions a Towering Presence in New York City's Flatiron District - Interior Design<\/title>\n<meta name=\"description\" content=\"It has to be daunting to design showrooms for Herman Miller, the Michigan-based furniture giant often cited as the inventor of the modern office. 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