{"id":114900,"date":"2017-04-21T18:07:40","date_gmt":"2017-04-21T18:07:40","guid":{"rendered":"https:\/\/interiordesign.net\/projects\/4-standout-adaptive-reuse-projects\/"},"modified":"2022-12-23T09:39:56","modified_gmt":"2022-12-23T14:39:56","slug":"4-standout-adaptive-reuse-projects","status":"publish","type":"id_project","link":"https:\/\/interiordesign.net\/projects\/4-standout-adaptive-reuse-projects\/","title":{"rendered":"4 Standout Adaptive Reuse Projects"},"content":{"rendered":"<p><span>Repurposing old buildings proves that respect for <\/span><span>the<\/span><span>&nbsp;past can propel design forward.<\/span><\/p>\n<p><strong>1. <a href=\"articles\/12989-kaan-architecten\/\" target=\"_blank\" rel=\"noopener\">Kaan Architecten<\/a>&nbsp;by <a href=\"http:\/\/kaanarchitecten.com\/\" target=\"_blank\" rel=\"noopener\">Kaan Architecten<\/a><\/strong><\/p>\n<figure class=\"image\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/fritz_haller_storage_units_reception_desk_kaan_architecten.jpg\" caption=\"true\" width=\"770\" height=\"495\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" style=\"--smush-placeholder-width: 770px; --smush-placeholder-aspect-ratio: 770\/495;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/fritz_haller_storage_units_reception_desk_kaan_architecten.jpg\" caption=\"true\" width=\"770\" height=\"495\" \/><\/noscript><figcaption><span> Fritz Haller&rsquo;s storage units stacked to form the reception desk<span>. Photography by Simone Bossi<\/span>. <\/span><\/figcaption><\/figure>\n<figure class=\"image\">\n<p><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/entry_mosaic_louis_van_roode_kaan_architecten.jpg\" caption=\"true\" width=\"770\" height=\"512\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" style=\"--smush-placeholder-width: 770px; --smush-placeholder-aspect-ratio: 770\/512;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/entry_mosaic_louis_van_roode_kaan_architecten.jpg\" caption=\"true\" width=\"770\" height=\"512\" \/><\/noscript><figcaption><span> The entry&rsquo;s mosaic mural by Louis van Roode. Photography by Simone Bossi.<\/span><\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">It was a good problem<\/span> to have. Business was booming at <a href=\"http:\/\/kaanarchitecten.com\/\" target=\"_blank\" rel=\"noopener\">Kaan Architecten<\/a>. So much so that it needed <a href=\"articles\/12989-kaan-architecten\/\" target=\"_blank\" rel=\"noopener\">larger quarters<\/a> in Rotterdam. The former headquarters of the Dutch Bank offered an empty shell, to be configured as desired for the firm&rsquo;s 75 employees.<strong> <a href=\"projects\/12989-1950-s-bank-in-rotterdam-becomes-sleek-studio-of-kaan-architecten\/\" target=\"_blank\" rel=\"noopener\">Read the full story here.<\/a><\/strong><\/p>\n<p><strong><br \/>2. Kanarie Club by <a href=\"http:\/\/www.studiomodijefsky.nl\/\" target=\"_blank\" rel=\"noopener\">Studio Modijefsky<\/a><\/strong><\/p>\n<figure class=\"image\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/kanarie_club_tram_depot_1902.jpg\" caption=\"true\" width=\"770\" height=\"546\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" style=\"--smush-placeholder-width: 770px; --smush-placeholder-aspect-ratio: 770\/546;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/kanarie_club_tram_depot_1902.jpg\" caption=\"true\" width=\"770\" height=\"546\" \/><\/noscript><figcaption>The Kanarie Club by Studio Modijefsky was once a tram depot from 1902. Photography courtesy of De Hallen Amsterdam.&nbsp;<\/figcaption><\/figure>\n<figure class=\"image\">\n<p><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/kanarie_club_indoor_swimming_pool.jpg\" caption=\"true\" width=\"770\" height=\"514\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" style=\"--smush-placeholder-width: 770px; --smush-placeholder-aspect-ratio: 770\/514;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/kanarie_club_indoor_swimming_pool.jpg\" caption=\"true\" width=\"770\" height=\"514\" \/><\/noscript><figcaption>A&nbsp;waterless indoor pool is a reference to&nbsp;the space&#8217;s past. Photography by Maarten Willemstein.&nbsp;<\/figcaption><\/figure>\n<p><span class=\"s1\">Tracks still run<\/span> across the floor at an Amsterdam tram depot from 1902. In the 1990&rsquo;s, it housed a&nbsp;group of squatters who jerry-rigged an indoor pool filled with water leaking through the roof, and that was the incarnation that inspired <a href=\"http:\/\/www.studiomodijefsky.nl\/\" target=\"_blank\" rel=\"noopener\">Studio Modijefsky<\/a> to design a waterless version for the latest tenant: The Kanarie Club is a 7,500-square-foot coworking space, bar, and restaurant.<\/p>\n<p><strong>3. Biblioteca Can Manyer by <a href=\"http:\/\/dft.cat\/\" target=\"_blank\" rel=\"noopener\">Dilm&eacute; Fabr&eacute; Torras Arquitectes&nbsp;<\/a><\/strong><\/p>\n<figure class=\"image\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/biblioteca_can_manyer_dilme_fabre_torras_arquitectes_library_barcelona.jpg\" caption=\"true\" width=\"770\" height=\"794\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" style=\"--smush-placeholder-width: 770px; --smush-placeholder-aspect-ratio: 770\/794;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/biblioteca_can_manyer_dilme_fabre_torras_arquitectes_library_barcelona.jpg\" caption=\"true\" width=\"770\" height=\"794\" \/><\/noscript><figcaption>The Biblioteca Can Manyer by Dilm&eacute; Fabr&eacute;&nbsp;Torras Arquitectes was originally a 1905 textile factory<span>. Photography by Sim&oacute;n Garc&iacute;a\/Arcaid Images<\/span>.<\/figcaption><\/figure>\n<figure class=\"image\">\n<p><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/biblioteca_can_manyer_dilme_fabre_torras_arquitectes_1905_textile_factory.jpg\" caption=\"true\" width=\"770\" height=\"516\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" style=\"--smush-placeholder-width: 770px; --smush-placeholder-aspect-ratio: 770\/516;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/biblioteca_can_manyer_dilme_fabre_torras_arquitectes_1905_textile_factory.jpg\" caption=\"true\" width=\"770\" height=\"516\" \/><\/noscript><figcaption>A 120-year-old loom remains on the ground level. Photography by Sim&oacute;n Garc&iacute;a\/Arcaid Images.<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">Stitching together<\/span> <span class=\"s2\">past and present, <a href=\"http:\/\/dft.cat\/\" target=\"_blank\" rel=\"noopener\">Dilm&eacute; Fabr&eacute;<\/a><\/span><a href=\"http:\/\/dft.cat\/\" target=\"_blank\" rel=\"noopener\"> Torras Arquitectes<\/a> has transformed<span class=\"Apple-converted-space\">&nbsp;<\/span>a 1905 textile factory into a library, a 20,000-square-foot public amenity for a village near Barcelona, Spain. A&nbsp;120-year-old loom stands on the ground level <span class=\"s2\">of&nbsp;what is now the Biblioteca Can Manyer. Upstairs, <\/span>scrap tile from local manufacturers forms a patchwork very much like a colorful quilt.<\/p>\n<p><strong><br \/>4. Jack Daniel Distillery by <a href=\"http:\/\/www.clickspringdesign.com\/\" target=\"_blank\" rel=\"noopener\">Clickspring Design<\/a><\/strong><\/p>\n<figure class=\"image\"><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/jack_daniel_distillery_lynchberg_tennessee_clickspring_design.jpg\" caption=\"true\" width=\"770\" height=\"514\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" style=\"--smush-placeholder-width: 770px; --smush-placeholder-aspect-ratio: 770\/514;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/jack_daniel_distillery_lynchberg_tennessee_clickspring_design.jpg\" caption=\"true\" width=\"770\" height=\"514\" \/><\/noscript><figcaption>Visitors can sample whisky at communal tables&nbsp;at the Jack Daniel Distillery by Clickspring Design<span>. Photography by Andrew Pogue<\/span>.<\/figcaption><\/figure>\n<figure class=\"image\">\n<p><img loading=\"lazy\" decoding=\"async\" data-src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/jack_daniel_distillery_lynchberg_tennessee_clickspring_design_vintage_oak_barrels.jpg\" caption=\"true\" width=\"770\" height=\"514\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" style=\"--smush-placeholder-width: 770px; --smush-placeholder-aspect-ratio: 770\/514;\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/sdg-migration-id.s3.amazonaws.com\/jack_daniel_distillery_lynchberg_tennessee_clickspring_design_vintage_oak_barrels.jpg\" caption=\"true\" width=\"770\" height=\"514\" \/><\/noscript><figcaption>Vintage oak barrels surround visitors inside the 1938 structure. Photography by Andrew Pogue.<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">Thanks to recent legislation,<\/span> a dry county has allowed a tasting room to be inserted into the 1938 barrel house at the Jack Daniel Distillery in Lynchburg, Tennessee. At the center of the space, <a href=\"http:\/\/www.clickspringdesign.com\/\" target=\"_blank\" rel=\"noopener\">Clickspring Design<\/a> constructed twin 650-square-foot enclosures from low-iron glass and upgraded the floor inside by&nbsp;recessing limestone tile into the concrete slab. Visitors sample the whiskey at communal tables with mango-wood tops, surrounded by vintage oak barrels.<\/p>\n<p><a href=\"articles\/12986-interior-design-march-2017\/\" target=\"_blank\" rel=\"noopener\"><strong>&gt; See more from the March 2017 issue of&nbsp;<em>Interior Design<\/em><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Repurposing old buildings proves that respect for the&nbsp;past can propel design forward.<\/p>\n","protected":false},"author":3527,"featured_media":148883,"menu_order":0,"template":"","meta":{"_acf_changed":false,"featured_image_focal_point":[],"legacy_django_id":12990},"tags":[6686],"id_tax_domain":[12,19,14],"id_tax_product":[],"id_tax_program":[],"id_issue":[],"internal_flag":[4220],"class_list":["post-114900","id_project","type-id_project","status-publish","has-post-thumbnail","hentry","tag-sponsored","id_tax_domain-hospitality","id_tax_domain-institutional","id_tax_domain-workplace"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - 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