Cheers To 200 Years Of The National Academy Of Design

When the National Academy of Design was founded in 1825, it initiated the annual election of National Academicians, a community of creatives elected by their peers in recognition of their extraordinary contributions to art and architecture in America. The number of living academicians is limited to 500, and more than 2,400 artists and architects have been elected since its inception. Among the inducted are Marina Abramović, Vito Acconci, Laurie Anderson, Maya Lin, and John Singer Sargent. The 2024 class is no less star-studded: Amy Sherald, SO-IL’s Florian Idenburg and Jing Liu, Asymptote Architecture’s Lise Anne Couture and Hani Rashid, and Nader Tehrani among them.

All 28 inductees will be feted and their work displayed this summer in “Kinetic Traces,” at the academy’s New York gallery, which, after eight decades on the Upper East Side, now occupies an airy 7,800-square-foot space in Chelsea by Bade Stageberg Cox. “As the academy approaches its 200th anniversary this fall,” executive director Gregory Wessner says, “the induction of these artists and architects powerfully reaffirms our commitment to celebrating bold and visionary contributions to contemporary art and architecture in the U.S. as much now as we did two centuries ago.”

A white building with a circular window.
In “Kinetic Traces,” a group exhibition at the National Academy of Design in New York June 12–September 13 showcasing the work of the 28 artists and architects elected into the 2024 class of National Academicians, will be images of Asymptote Architecture’s ARC-River Culture Multimedia Museum in Daegu, South Korea. Photography by Andrea Matriradonna.
A man is walking in front of a building.
ING headquarters in Ghent, Belgium. Photography by Asymptote Architecture.
Arc de triumph, arc de triumph, arc de triumph, arc de triumph.
Audi installation during Salone del Mobile 2019 in Milan. Photography by Asymptote Architecture.
The curved building in the city of abu.
Reiser+Umemoto, RUR Architecture’s Kaohsiung Port Terminal in Taiwan, 2023. Photography by Jesse Reiser and Nanako Umemoto.
A room with white walls and a large mirror.
Alessi flagship in New York, 2006. Photography by Asymptote Architecture.
A black and white photo of a man in a suit.
A wood model by NADAAA’s Nader Tehrani of the reimagined Ancient Near East and Cypriot Art galleries at New York’s Metropolitan Museum of Art, scheduled to reopen this year. Photography by NADAAA.

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