in the resident kitchen, a 23-foot-long island-table
Calacatta marble and porcelain top the custom 23-foot-long island-table in the resident kitchen.

Houston’s Brava Tower Blends Newspaper History with Modern Luxury

Residential high-rises tend to look similar. Step into a gleaming white-stone lobby, and you could be anywhere from Philadelphia to Phoenix. But Brava, a 46-story building in downtown Houston, by MaRS Culture and Munoz + Albin Architecture & Planning, bucks the trend. It has something most contemporary towers lack: a sense of place.

Kelie Mayfield, MaRS principal and the interiors lead, believes that a concept only resonates if there’s a story behind it. “It has to do with the site, the context, and the nature of the location,” she says. “If it doesn’t have a soul or purpose, then it’s just a pretty space.” Mayfield starts each project by creating a narrative that informs all design decisions. For Brava, she and her team focused on the history of the location, which was once owned by The Houston Chronicle, thus formulated interiors that tip a hat to both the physical newspaper and the stories within it.

Located in the heart of the arts district, Brava stands out with its shape, a slim rectangle diagonal to the street. Munoz + Albin, the building architect, rotated the structure 45 degrees to maximize views for the 373 rental units and gave it a dynamic exterior. The developer, Hines, has its headquarters across the street, so Brava had to be a showpiece with distinctive offerings. On the podium, housing retail and parking, a white aluminum frame projects in front of a dark perforated screen, mimicking a proscenium in a theater. Above it, Munoz + Albin devoted level 10 to such amenities as an outdoor pool, entertaining kitchen, a fitness room, and coworking space, and installed a sky lounge with a terrace on the 46th floor.

Designing a Residential High-Rise That Reflects Its Surroundings 

the lobby of Brava, a tower in Houston by MaRS Culture and Munoz + Albin
In the lobby of Brava, a 373-unit rental tower in Houston by MaRS Culture and Munoz + Albin Architecture & Planning, a custom fluorescent-tube fixture spells out Libertas perfundet omnia luce, Latin for Freedom will flood all things with light, refer­ring to freedom of the press and the building’s site, which once be­longed to The Houston Chronicle.

“We made some innovative moves,” principal Jorge Munoz notes. “It’s a unique assembly of pieces that resulted from the geometry of the site.” The confines of the parcel required Munoz and co-principal Enrique Albin to round off the corners of the rectangle, resulting in a boatlike shape. They also created a curtain wall with a bowed vertical edge that resembles a glass sail. The mix of curved and straight lines continues inside. “The interior and exterior work together well,” Albin adds. “When you walk into the building, it feels like a whole composition.”

Read All About It: How Newspapers Shaped the Interior Design 

MaRS, which was responsible for the two model apartments and all public areas, totaling 20,00 square feet, aimed to make the interiors feel fluid. This was a challenge given the unusual geometry and hulking structural columns. The designers embedded the latter in undulating plaster walls inspired by the folds of a newspaper. “This helped us integrate the structure while creating something seamless,” Mayfield explains. The folds also draw you through and impart a sense of movement, which she thinks of as a kind of choreography that references the dancers that perform in the neighborhood’s surrounding theaters.

Columns that remain visible are still on theme: They’re embossed with front-page headlines from the Chronicle dating to 1908. The earliest headlines are in the lobby and more recent ones appear upstairs on the amenity floor; they range from “Thousands Out to Greet President Taft in Houston” (1909) to “Thousands Jam the Streets to Celebrate With Astros” (2017). A local muralist applied the text on hand-troweled concrete using a custom stencil.

Local Art Enlivens Public Spaces in the Luxury Building 

Many of Brava’s 45 artworks similarly refer to newspapers, if not so literally. For the lobby, Spanish artist Sergio Albiac used Chronicle clippings for a digital portrait collage that hangs at reception. Overhead, a circular fixture spells out a Latin phrase meaning Freedom will flood all things with light, alluding to freedom of the press. In the pet spa, a large photograph printed on vinyl shows a local rescue dog who made headlines of his own.

The art collection plays into the color and material palette. “What’s black and white and red all over,” Mayfield jokes. “We used warm tones, like natural paper with black contrast, and saturated colors that draw on the color blocking used in the early history of the newspaper.” Bright pieces—like a red acrylic-on-canvas circle by Jaime Domínguez—pop against a neutral background of eucalyptus-veneered walls and gray tile flooring. More muted pieces balance them out: On the amenity floor, MaRS paired another bold Domínguez with D’lisa Creager’s woven copper-mesh sculptures.

Other allusions to ink on paper include carpeting in tenant corridors with a scribblelike pattern and wallcoverings woven from recycled newspaper. Yet the narrative never overwhelms the design. “We kept distilling it down to make it quiet and timeless,” Mayfield concludes. Pierro Lissoni seating in the lobby, Neri&Hu lighting in the amenity kitchen, and smoked-oak tables in the leasing lounge ensure the setting still feels current—more like a boutique hotel than an apartment building. Mayfield thinks that residential developers are finally taking cues from the hospitality world and giving their projects local character. The end of the bland high-rise? Now that would be good news.

an elevator lobby flanked by a Jaime Domínguez artwork
Beyond the elevator lobby’s ebony-veneer paneling is the mailroom and a Jaime Domínguez artwork.

Inside The Brava Tower in Houston 

historic Chronicle headlines were stenciled onto the concrete structural columns of the lobby
Local muralist Robynn Sanders stenciled historic head­lines from the Chronicle onto the hand-troweled concrete on structural columns.
the leasing lounge of Brava, a former home to the Houston Chronicle
Gently undulating plaster walls evoke newspaper folds in the leasing lounge, furnished with a custom table by MaRS that’s veneered in smoked oak.
the motor-court entrance to Brava with limestone walls
Limestone forms the walls of Brava’s motor-court entrance.
a resident lounge at Brava, a tower in Houston
The building’s 10th floor is devoted to amenities, including the resident lounge with a Christophe Delcourt sectional, Anthony Fox cocktail table, and custom rug.
in the resident kitchen, a 23-foot-long island-table
Calacatta marble and porcelain top the custom 23-foot-long island-table in the resident kitchen.
the penthouse lounge of Brava
Beyond oak-veneered panels, built-in seating around a concrete table forms a nook in the penthouse lounge, another building amenity.
the 10th floor pool at Brava, a Houston tower
Munoz + Albin’s facade of acid-washed precast concrete panels with limestone masonry faces the 10th-floor pool.
Sergio Albiac’s digital portrait of Chronicle clippings in reception.
Sergio Albiac’s digital portrait of Chronicle clippings in reception.
copper-mesh artworks hang at the gym's entry
D’lisa Creager’s copper-mesh sculptures and a Domínguez artwork at the gym’s entry.
Domínguez’s Alebrije Madre C1.
Domínguez’s Alebrije Madre C1.
painted concrete and perforated aluminum panels on the podium
Painted poured-in-place concrete and panels of perforated aluminum and concrete cladding the podium.
The pool’s resin chaise lounges and side tables.
The pool’s resin chaise lounges and side tables.
cane chairs in the pool lounge
The pool lounge’s cane chair.
A model apartment’s bedroom at the Brava
A model apartment’s bedroom.
Dana and Stephane Maitec’s Mirror Reflections #60 in the resident kitchen.
Dana and Stephane Maitec’s Mirror Reflections #60 in the resident kitchen.
the northeast side of the Brava tower's facade in Houston
Sculpted balconies fringe the northeast side of the 46-story building, its LED-edged glazed facade resembling a sail.
The boatlike curved facade of the Brava tower in Houston
The boatlike curved facade.
a penthouse floor corridor
Wallcovering with Kitty Sabatier art lines a corridor on the penthouse floor.
the gym at Brava
Recycled-rubber flooring and a Henri Boissiere photograph outfit the gym.
a penthouse lounge
Yesterday’s News, recycled-newspaper wallcovering, backs a penthouse lounge with Bertrand Balas pendant fixtures and a Piero Lissoni sectional.
A terrace adjoins the gym.
A terrace adjoins the gym.

munoz + albin architecture & planning: erick ragni; rachel grady; daniela gonzalez; linnea wingo; zoe pittman; alisha gaubert: mars culture. jeff schmidt; taylor currell; richard rodgers; michael cox.

kirksey: architect of record.

tbg partners: landscape architect.

kpk lighting design: lighting consultant.

weingarten art group: art consultant.

natural graphics: custom graphics.

magnusson klemencic associates: structural engineer.

schmidt and stacy: mep.

2stone designer concrete: concretework.

harvey cleary: general contractor.


meyda lighting: custom light fixture (lobby).

arhaus: chairs.

four hands: bench (lobby), chairs (resident kitchen).

rove concepts: chairs (leasing lounge).

abbey: custom rug.

echo-wood: paneling (elevator lobby).

minotti: sectional (resident lounge).

rh: cocktail table.

through branch: custom rug.

thorntree slate: island top (resident kitchen).

neri&hu: pendant fixture.

innovations: wallcovering (nook, penthouse lounge).

sunpan: table (nook).

ledge: chaise lounges, side tables (pool).

mitchell gold + bob williams: chair (pool lounge).

jaime young co.: table lamp (bedroom).

area environments: wallcovering (hall).

protec: flooring (gym).

astek: wallcovering.

dcw editions: pendant fixtures (penthouse lounge).

living divani: sofa.


porcelanosa: floor tile.

ppg paints: paint.

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