linear LEDs in the ceiling of an office tower draw attention to angular planes
Walls are walnut and travertine, flooring is Statuario Altissimo marble, and the recessed linear LEDs draw eyes to the angular ceiling plane.

Gensler and MaRS Design a Community-Minded Office Building in Denver

Hospitality-inspired workplaces have been popular for years. We can all remember when lounges with ping-pong tables and kombucha and beer on tap started making their way into the corporate interiors of tech companies and other sectors. But the trend hasn’t fully extended to the office building itself. Lobbies can be drab and lack seating; shared gyms can feel like an afterthought. But a developer in Denver is upending that model: Patrinely Group believes the commercial real estate market demands a more elegant, considered approach. In 2015, it hired Gensler to design Block 162, a 30-story tower that would attract high-end tenants with a distinctive lobby and an amenity floor. Later, Patrinely brought on MaRS to collaborate on the common areas, which include a fitness center, coworking spaces, meeting rooms, and a terrace. The firms shared an interest in creating a unified aesthetic that spoke to the location and brought people together.

How the Design of Block 162 Revitalizes Its Surroundings

Block 162 occupies what was previously an empty lot between the Colorado Convention Center and the 16th Street Mall, a pedestrian corridor. The site was sure to get foot traffic, and architect Raffael Scasserra, principal and design director at Gensler Houston, hoped to draw passersby inside. “We saw an opportunity to invigorate the street, invite people into the lobby, and turn it into a community space for the neigh­borhood,” Scasserra says. “The building itself should also have a sense of community.” He began by considering the local context, taking inspiration from the Rocky Mountains and the city’s outdoor-oriented culture.

the lobby of an office tower with exposed-concrete columns
In the lobby of Block 162, an office tower in Denver by Gensler and MaRS, the facets of the exposed-concrete columns and painted-gypsum ceiling evoke the nearby Rocky Mountains.

Architectural Accents Capture the Rocky Mountain Spirit 

Block 162’s exterior architecture evokes an eroding rock face, with a crevice in the top corner that splits the glass building in two. The 8,500-square-foot lobby continues the mountain theme. Faceted exposed-concrete columns and an angled gypsum ceiling crisscrossed with recessed linear LEDs bring a rugged note to the sleek marble-floored space. “It’s a place where the user can pause, reflect, and enjoy their surroundings,” says Scasserra. “It’s a hospitality-type environment that welcomes people in.” The main attraction is Cedar Point Reeds, a 30- foot-long kinetic sculpture by New York’s Breakfast Studio, conceived in collaboration with MaRS partners in charge Kelie Mayfield and Erick Ragni.

Mayfield and Ragni both studied art history in college and have curated artwork for many clients since founding their Houston-based firm in 2010. “We think of art and architecture holistically,” Ragni says. “Each project starts with a narrative, and the art responds to it.” For Block 162, the narrative was based on early site visits, when they explored the River North Arts District, walked through downtown after a snowstorm, and snapped photos of shimmering icicles on a fence.

a kinetic sculpture made of acrylic posts that sway
Cedar Point Reeds, a kinetic sculpture by Breakfast Studio, is made of 400 mechanical acrylic posts that sway based on real-time wind speeds in eastern Colorado and movements of passersby.

Block 162 Explores the Intersection of Art and Architecture

The pair sees the latter echoed in the Breakfast sculpture’s glowing acrylic rods, though viewers also compare it to blowing wheat fields; the piece moves based on current wind speeds in eastern Colorado and responds to people nearby as well. David Haltom, senior vice president at Patrinely, says it’s been a hit with the neighborhood: “We see nose prints on the glass.” While engaging pedestrians and animating the cavernous lobby, Cedar Point Reeds also establishes the building’s emphasis on art.

MaRS commissioned multiple contemporary artworks, mostly by local talent, for the 12,400-square-foot amenity deck that occupies much of the building’s 11th floor. There’s a long, lenticular mural by Frank T. Martinez backdropping the coworking area; stained book pages in Pam Fortner’s mixed-media works hanging in the lounge; and a trippy graffiti-esque mural by Anna Charney in the gym. “We reinterpreted the street art we saw in the RiNo District in a sophisticated way,” Mayfield notes.

The amenity space also reflects Denver’s laid-back culture. “We tried to make it approachable to reflect how people here interact,” Ragni says. He and Mayfield selected materials and furnishings that lend a warm residential feel, like wood-look floor tiles, a leather-wrapped coffee table, and a fireplace framed in panels of brushed bronze and fumed eucalyptus. Though MaRS began the design in 2019, the result anticipated the COVID-era mood. Mayfield has noticed that employees today want to gather in a safe, sophisticated environment with some of the comforts of home. “It’s not about providing kitschy things. People want experiences that create community,” she says, akin to having coffee in a neighbor’s kitchen.

Block 162 was ahead of other post-pandemic trends, too, like the desire for smaller workplaces. The amenities are open to anyone who works in the building, and tenants can reserve them for town hall meetings, cocktail parties, or conferences. (All the furniture is modular and can be broken down and moved easily.) Companies don’t need private function rooms and can lease fewer square feet upstairs. Gensler also prioritized access to fresh air: The lounge, gym, and coworking area all have operable glass walls that open onto a large terrace. “The building plays off the outdoors culture and connects inside and outside,” Scasserra explains. There’s even an alfresco conference room with views of the mountains.

the exterior of Block 162, an office tower in Denver
The erosion of mountain rocks inspired the architecture of the 30-story glass-and-steel building by Gensler.

Halton says that though the tenants come from multiple industries, many see their company culture reflected in the building’s design. “It’s authentically of a place—not cartoonishly of a place,” he observes. “It brings in the local flavor without elk heads on the wall.” And like any good host, Block 162 makes everyone feel at home.

Inside the Office Tower Designed by Gensler and MaRS 

linear LEDs in the ceiling of an office tower draw attention to angular planes
Walls are walnut and travertine, flooring is Statuario Altissimo marble, and the recessed linear LEDs draw eyes to the angular ceiling plane.
the lobby of a Denver office tower
In the lobby, walnut chairs by Noé Duchaufour-Lawrance flank custom wool and vegan-leather ottomans by MaRS.
a lightbox on the wall of a Denver office tower
Beyond the lightbox by Collin Parson, another local artist, an aluminum-framed door system reminiscent of historic Denver storefronts leads to the gym.
a lounge with glass walls that open onto a terrace
Modular Piero Lissoni sofas, Giuliano and Gabriele Cappelletti armchairs, and Rodolfo Dordoni side tables furnish the lounge, where operable glass walls open onto the terrace; flooring is wood-look porcelain tile.
the top corner of an office tower that is split to look like a rock crevice
Its top corner splits like a rock crevice.
Gensler: jon gambrill; tim vuong; jonathan larocca; melinda ubera; nicholas mcmunn; maria qi; blanca mcgrath; ariel becker; maria perez; yingfei wang; harry spetnagel
MaRS: linnea wingo; kim le; alisha gaubert; zoe pittman
confluence; studioinsite: landscaping consultants
bos lighting design: lighting consultant
nine dot arts: art consultant
imeg corp.: structural engineer
m-e engineers: mep
kimley-horn and associates: civil engineer
harmon: curtain wall contractor; glasswork
w&w: structural curtain wall contractor
isec: millwork
gallegos: stonework
swinerton: general contractor
prudential lighting: recessed ceiling fixtures (lobby)
bernhardt design: chairs
decca: custom ottomans
pk30: door, wi­n­d­ow system (gym)
rh: sofas, armchairs (terrace)
kettal: black chairs
han­over: pavers
meyda lighting: custom lamps (coworking)
sunpan: brown chairs
jay edwards: custom tables (coworking, library)
rulon inter­national: ceiling system (lounge)
bloomsburg carpet: custom rugs
riva 1920: armchairs
minotti: side table
Living Divani: sect­ionals (lounge, library)
brightview: turf (terrace)
Florida Tile: floor tile
gen3: facade metal panels
viracon: facade glass
benjamin moore & co.; sherwin-williams company: paint

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