
Lauren Rottet Invites Serenity Into The Newport Art Museum
There is an intimacy created between the relationship of an object and its observer. It is this intimacy that captured the attention of designer and architect Lauren Rottet during a recent project for the Newport Art Museum. Commissioned by the museum to create a space in conversation with artist Bobby Anspach’s current exhibition “Everything is Change,” Rottet fashioned a restorative space that invites agency, sensory play, and reflection.
Step into the museum’s timeless John N.A. Griswold House and explore Rottet’s work. The exhibit titled “The Nature of Choice,” highlights her holistic approach to design, softening the boundaries between art and emotion. “I sought to create a room that would make one feel a part of nature instantly and completely.” Rottet shares. “To create a room that would cause one to pause, recalibrate and reflect that we are nature and how we treat it is ultimately how it, in turn, will treat us.”
To bring the serenity from the natural world indoors, Rottet includes signature pieces from her own collection such as the Dark and Stormy Tables, Cubist Curve Sofa, and a 3D-printed Petite Wood Float Chair, which expands upon Rottet’s exhibit themes of impermanence and flow by portraying movement in static form.

How Lauren Rottet’s Design Ignites The Senses
The space also weaves in a custom soundscape by composer Matthew Cooper, known as Eluvium, as well as Rottet’s own Split Face Planters. The rounded, heavily textured vessels feature a reflective material one side and are filled with thousands of pennies, which visitors are invited to take or add to, encouraging a touch-based participatory experience.
“I always consider the multisensory experience, as a space is never just visual,” Rottet continues. “I wanted to make sure the visitor bonded with nature while in the room and nature, of course, encompasses all senses.” Guided by this philosophy, the exhibit offers what Rottet calls, “many delightful ‘coincidences,’” ensuring no two experiences in the space are alike.

Creating a space that enables those within it to pause, discover, imagine, engage, and most importantly, make a concerted choice about their own relationship with object and design, is what Rottet initially envisioned while working closely with Anspach–she certainly achieved that and more.
Rottet’s restorative space, entitled “The Nature of Choice,” is on display at the Newport Art Museum in Rhode Island from June 21-September 28, 2025.


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