Peter Shelton: 1996 Hall of Fame Inductee
No project better epitomizes the grand chameleon-like talents of Peter Shelton and Lee Mindel than the 170,000-square-foot headquarters for Polo/Ralph Lauren. At the core of one of Madison Avenue’s most banal office towers, the architects installed a soaring lobby that surpassed even Lauren’s blue-blood fantasies. The interior’s Anglophilic dress – walls swathed in Black Watch tartan, a vast mahogany staircase, worn leather sofas – would be impossible for lesser talents to pull off without seeming ironic. Where did they find all those ancestral portraits?
The lobby’s mahogany-paneled perimeter, however, marks the boundary between old England and modern New York: Shelton and Mindel outfitted Polo’s library and design studios with the clean lines, planar surfaces and neutral palette that seem more their style. Yet for all their apparent differences, the two spaces represent an unwavering penchant for detail. “Our design process exploits the characteristics of the methods and materials employed,” the architects noted at the time. “The design of a rug should reflect how it is made, not just an applied pattern. A light bulb should look like part of the fixture, not just an attachment.”
Shelton and Mindel formed a design partnership only a few years after college. Both architects began their studies at the University of Pennsylvania; Shelton graduated from Pratt Institute in 1975, then joined the New York offices of Edward Durell Stone & Associates and later Emery Roth & Sons. Mindel graduated from Harvard University in 1976 and also headed for New York, where he worked first for Skidmore, Owings & Merrill and then Rogers, Butler, Burgun.
With the formation of Shelton, Mindel & Associates in 1978, the architects strayed from the dictates of their modernist training to avoid the trappings of a signature style. Their formal explorations steadily oscillated between the twin poles of “modern” and “traditional,” directed in each cast toward a carefully wrought simplicity. As they put it: “The fewer number of words it takes to describe the concept of a project, the better.”
The firm received many awards including 16 AIA awards and three design awards from the Society of American Registered Architects, to mention a few. The American Institute of Architecture, San Francisco, Museum of Fine Arts, National Academy of Design and Houston Museum of Fine Arts have exhibited the firm’s work in both traveling and permanent exhibitions.
Product design lines include collections for Waterworks, Jack Lenor Larsen V’Soske and Nessen Lighting.