Queen Of Hearts: Inside A Home In Sydney By Smac Studio

In Sydney’s tightly held suburb of Woollahra, where rows of Victorian terraces define the streetscape with mature trees and ornate iron lacework, a freestanding home by celebrated Australian architect Espie Dodds already stood apart. Originally designed in 1981, the residence possessed what Smac Studio director Shona McElroy describes as “beautiful bones”—generous natural light, striking circular skylights and an uncommon sense of openness rarely found in the neighborhood. “The original house didn’t need rescuing,” says McElroy. “It just needed reimagining.”

Tasked with renovating the home for a fashion-forward couple with a love of entertaining, music and travel, the studio, (a Sydney-based practice with projects in the US, Europe, Australia and New Zealand), approached the project with both restraint and confidence. “At the very start, the clients said, ‘We want you to be really creative,’” recalls McElroy. “They signed off on our very first hand sketches, which almost never happens. The finished rooms are remarkably close to those early drawings.”

While the owners initially intended to preserve the existing floor plan, one awkwardly positioned bedroom between the kitchen and living spaces became impossible to ignore. Its removal transformed the entire house. “Layouts are our love language,” McElroy says. “Once we relocated that room, everything clicked into place.”

The former bedroom now operates as a richly atmospheric lounge beneath a pink Murano chandelier, seamlessly connected to the kitchen and pool beyond. Curved walls soften transitions between spaces, while marble portals subtly define zones without interrupting flow. The downstairs level became a generous social domain devoted to gathering and entertaining; upstairs was reconfigured into a quieter retreat of bedroom suites and bathrooms, complete with replicated circular skylights that echo Dodds’ original architecture.

Materiality plays a central role throughout. Checkerboard flooring flows from the kitchen to the pool terrace, creating what McElroy describes as “a playful, lyrical dialogue across the home.” Warm blush and beige tones wash across walls and ceilings, avoiding stark white entirely. Bronze tapware, sculptural Pierre Augustin Rose furnishings and richly veined marble introduce depth and tactility.

“This house is really about connection,” says McElroy. “Connection between people, between rooms, and between indoors and outdoors. It’s social, warm and expressive—but it still feels timeless.”

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