Charles and Ray Eames chairs assemble around a monolithic oak table in the conference room, beneath Bonderup & Thorup pendants.
Charles and Ray Eames chairs assemble around a monolithic oak table in the conference room, beneath Bonderup & Thorup pendants.

Billy Cotton and ASH NYC Turn a Classic Flatiron Locale into a New Clubhouse for Avenue 8 

Real estate brokerage firm Avenue 8 makes prime locations their business. So when a 3,500-square-foot space in Flatiron’s iconic Goelet Building opened up, they knew it was exactly the right spot for a new headquarters for their 50 agents. They enlisted architect Billy Cotton and, for the interiors, ASH NYC. Done deal. 

The only trouble? “The space had a very postmodern office built out in the 90s or 2000s,” says architect Billy Cotton. “Which we removed.” In came recreations of original moldings, sound-insulating corduroy wallpaper, and arrangements of design classics and custom pieces. “It directly responds to Avenue 8’s approach to modernizing the age-old real estate process,” says ASH director of staging, East Coast, Dylan Stilin. The central vignette is more cocktail lounge than cubicle set: “It’s inspired by its immediate context,” Stilin says, “encircled by the building’s large arch windows and the sweeping city views of Broadway below.”

And, says Avenue 8 co-founder Michael Martin, “the days of the cold, sterile cubicles are gone. We meant this to be a place where agents can come and go as needed for events, conference calls, meetings, and catch-up on emails between showings.” When it comes to what workers need from their offices, it’s still location, location, location. 

Workstead sconces line up above the kitchen’s Waterworks sink and faucet, and calacatta viola marble backsplash and counters from Bas Stone.
Workstead sconces line up above the kitchen’s Waterworks sink and faucet, and calacatta viola marble backsplash and counters from Bas Stone.
Lounge coffee tables are also marble, in this case by Norm Architects for Menu.
Lounge coffee tables are also marble, in this case by Norm Architects for Menu.
In the lounge, a Serge Mouille floor lamp illuminates a Jonathan Adler sofa and Knoll chair; the coffee table is by Anya Sebton and Eva Lilja Löwenhielm for Asplund, and the side table by Josep Vila Capdevila for Aparentment.
In the lounge, a Serge Mouille floor lamp illuminates a Jonathan Adler sofa and Knoll chair; the coffee table is by Anya Sebton and Eva Lilja Löwenhielm for Asplund, and the side table by Josep Vila Capdevila for Aparentment.
A Jack Pierson photograph hangs near the lounge’s ASH NYC chairs.
A Jack Pierson photograph hangs near the lounge’s ASH NYC chairs.
Bonderup & Thorup pendants hang over a work-cum-dining table in the lounge.
Bonderup & Thorup pendants hang over a work-cum-dining table in the lounge.
A custom peg wall sculpture by Bradley Duncan defines a wall between the lounge and conference room.
A custom peg wall sculpture by Bradley Duncan defines a wall between the lounge and conference room.
The phone booth is covered in corduroy wallpaper.
The phone booth is covered in corduroy wallpaper.
Charles and Ray Eames chairs assemble around a monolithic oak table in the conference room, beneath Bonderup & Thorup pendants.
Charles and Ray Eames chairs assemble around a monolithic oak table in the conference room, beneath Bonderup & Thorup pendants.

read more

recent stories